Blog of that guy who’s wandering around. 📸

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    Alfi’s Bachelor Party – My First One Ever

    Alfi's Bachelor Party – My First One Ever

    At the age of 37, I finally went to a bachelor party. (It just so happened that my closest friends haven’t exactly been rushing to get married, so I never had the chance before.)

    On May 10th, I hopped on the IC 3560 “Witkacy” train, which showed up 45 minutes late. I brought along a brand-new sketchbook I plan to fill with whatever catches my eye. I decided I’m only going to use black and shades of grey inside (except for a brown fineliner I use for labeling the drawings). I’m doing the linework with a dip pen and black indian ink from Renesans brand. Sometimes I leave it as plain ink, but I also have a tiny Roman Szmal metal watercolor palette with six different shades of black: Roman Black, Ivory Black, Velvet Black, Mars Black, Vine Black, and Aquarius Black. I’ll be mixing some of those in with the ink as I go.

    The bachelor party kicked off at Pixel XL – a kind of interactive game room with a floor that responds to movement. You have to wear these special socks with rubber grips on the bottom (not sure if they also help the sensors pick up your steps or if it’s just to keep you from slipping). It was my first time in a place like that – and I don’t just mean Pixel XL, but any kind of interactive/escape-room-style spot. I had a blast. My favorite part was a dance game we played at the end – kind of a mix between Guitar Hero and Beat Saber.

    Then we headed over to the 32. piętro (32nd Floor in Polish) restaurant in Olivia Star – the tallest building in the Trójmiasto at 180 meters. It was my first time there and I loved it. The food was great, but honestly, the real showstopper was the view from the windows and the observation deck.

    After dinner, we started bar-hopping around the city: Bunkier club, Lumi shot bar, Wiśniewski bar, Miasto Aniołów club, and the “new” Cafe Absinthe.

    While we were standing outside Wiśniewski, a street musician came up and asked if we wanted some live music. It started out low-key – just him singing a few songs for us – but it turned into a whole scene with a crowd forming, including our group of six, some random Swedes, and a bunch of passersby.

    We started in the evening, and by the time we were politely kicked out of the last bar, Cafe Absinthe, it was already daylight. I see my friend Rafael almost every time I’m in Gdańsk, but I rarely get to see his brother Alfi – the man of the hour – and I almost never run into Janek or Artur, so I’m really glad I came. I had an awesome time!

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    15 Paintings That Impressed Me the Most at the Museum of Fantasy Art

    15 Paintings That Impressed Me the Most at the Museum of Fantasy Art

    My visit to the Muzeum Sztuki Fantastycznej (Museum of Fantasy Art) was completely spontaneous. During a little May Day trip, I randomly decided to wander around Warsaw’s Praga district, and somehow ended up near the Koneser center. That’s where I saw posters for the exhibition and instantly knew I had to check it out. I walked in, asked if photos were allowed, bought a regular ticket for 40 zł, and started exploring.

    The phone pics, resized to 1000px wide, might spark your imagination, but they don’t come close to the chills you get when you lean in and see each brushstroke up close. That’s why I really encourage you to go see the exhibition for yourself (it’s on until May 25, 2025). Especially since this is just a tiny, personal selection of 15 pieces that made the biggest impression on me. There are loads of great artworks there in all kinds of styles, and I bet your top 15 would be totally different.


    For me, the biggest discovery of the exhibition was Jacek Szynkarczuk. I spent the most time standing in front of his works (honestly, I was kind of hoping to phase into one of his panels and live in the world he created), and I ended up picking four of his paintings for this list. Szynkarczuk’s got both the skill and the imagination. I think they look amazing even in photos, but seriously – if you get a chance, see them in person. The technique and precision are out of this world.

    The most beautiful of all is his painting “Oaza” (Oasis) (oil on board, 2024), where I spent the most time, chatting with another visitor who also fell in love with it. I even circled back to it twice, breaking the usual viewing path. There’s something hypnotic about that cracked surface with water, the fish, and the city.

    “Przystań między oceanami” (Harbor Between Oceans) (oil on board, 2024).

    “Na szlaku światła” (On the Path of Light) (oil on board, 2025).

    “Port syren” (Siren Port) (oil on board, 2024).


    The idea of a character peeking in “from outside the frame” really spoke to me, and Andrzej Olczyk’s painting “Kowaliki” (Firebugs) (oil on board, 2023) froze me in place for a while.


    When I got close to this piece, I instantly felt chills, cold, and fear. “Maska” (Mask) (oil on canvas, 2024) by Mariusz Krawczyk feels straight out of a nightmare – that weird space between sleep and waking where you accidentally peek “behind the curtain” of reality and immediately regret it.

    Same goes for another one by Krawczyk: “Dom, którego nie było III” (The House That Never Was III) (oil on canvas, 2024).


    Hyperrealism isn’t usually my favorite style, but “doMY02” (oil on canvas, 2025) by Michał Powałka is just flat-out great. It’s got a strong concept, awesome color choices, and really hits you emotionally.


    Wiesław Wałkuski’s “Une Chienne Andalouse” (oil on board, 2024) – an absolutely stunning painting that will stay with me forever.

    I saw this other one by Wałkuski for the first time at this show (it’s even featured on the flyer): “Kwiaty z Wenecji” (Flowers from Venice) (oil on canvas, 1992). There’s something electric about it.


    Zdzisław Beksiński’s “Bez tytułu” (Untitled) (oil on board, 1976) – not his best work, maybe, but still very strong. Deeply symbolic and haunting.


    This piece by Wojciech Siudmak, “Całkowita regeneracja” (Complete Regeneration) (acrylic on canvas, 1997), would’ve made the list based on color alone – the fact that it’s almost entirely in light tones is just amazing – and it also happens to have a great concept behind it.


    This one by Krzysztof Powałka, titled “Polowanie” (The Hunt), is incredibly powerful. The antlers made of hands, and that touching gunshot wound – it says everything it needs to.


    When you get close to “Bez tytułu” (Untitled) (oil on board, 2024) by Sebastian Smarowski and look into her eyes, you might get this strange, intense feeling. At least that’s what happened to me.


    And Smarowski again with another “Bez tytułu” (Untitled) (oil on board, 2025). Beautiful color palette, intriguing subject, and an engaging theme. The painting pulls you right in – no doubt about that.

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    Trip to Warsaw. The Urbz: Sims in the City on Nintendo DSi + Praga district + street art + a bit of shopping at Paper Concept + some Old Town

    Trip to Warsaw. The Urbz: Sims in the City on Nintendo DSi + Praga district + street art + a bit of shopping at Paper Concept + some Old Town

    This time the trip was actually planned and I had all my tickets bought the day before. I was supposed to leave the house a bit after 7 to catch an 8:00 train from the neighboring village to Widzew. The Esperanto train was scheduled for 8:16 — the shortest connection from Łódź to Warsaw, only an hour long. I was so sleepy I totally zoned out and missed my stop at Widzew, only getting off at Łódź Fabryczna, by which point my train was long gone. I quickly bought a ticket for the next one, but I was angry at myself — not only was it leaving at 8:35, it also took 1 hour and 37 minutes. To make things worse, it was 26 minutes delayed. So right from the start I’d already lost an hour of walking time.

    I brought just one console with me — the Nintendo DSi — and spent the whole day playing one game: The Urbz: Sims in the City, a Sims spin-off I totally fell for. I already wrote about how wonderfully weird that game is when I described how it starts after my last Warsaw trip. Today I’ll just add that one of my favorite things about it is how the conversations work.

    You come across all kinds of quirky characters in the game. When you talk to them, you always get four topics to choose from, which show up in random combos. Your job is to figure out which ones they’ll like, to build up the friendship bar. At first it’s mostly trial and error, based on their look, clothes, and how they introduce themselves. But over time, you start picking up on their personalities and can make better guesses. Usually you can rely on pretty stereotypical logic, but sometimes the characters surprise you. I get such a kick out of these talks— the replies are hilarious whether you get them right or totally mess them up.

    The weather in Warsaw was warm and sunny. Blue skies with just a few clouds hanging over the city. That day, the Polish Cup final in football was happening at PGE Narodowy (National Stadium) — Legia Warszawa vs. Pogoń Szczecin. Around the stadium, which I passed by, there were tons of police cars, foot patrols everywhere, and even a helicopter in the sky.

    While still on the train, I spontaneously decided to wander around Praga district this time — and that’s exactly what I did. I took photos of street art and buildings that caught my eye. I noticed on Google Maps that there was a CeX store in Galeria Wileńska — that international chain that sells used electronics — so I dropped by and bought a random game. Well, almost random — I do know I like Japanese visual novels.

    On the way, I found two buildings connected at the top by a double-story bridge. Super odd but also awesome. I’m curious how it works in practice — do the apartments span both parts?

    I also stumbled across a place called the Centrum Praskie “Koneser” — a complex of restored red-brick buildings with various spots inside. I didn’t have time to explore everything, but two places immediately caught my eye.

    The first was a Paper Concept store — my go-to dealer for watercolor sketchbooks. I’m just a hobbyist, so I like something decent quality without spending too much on my scribbles. They have these Talens Art Creation sketchbooks that are great quality for the price. I usually get the 9×14 cm (3.5×5.5″) size, but this time I picked up a 12×12 cm (4.7×4.7″) one because I’ve got an idea in mind.

    I also finally found something I’d been looking for — a tiny palette for watercolor half-pans. I already have two palettes — one from Renesans (really nice polish brand) and one from Winsor & Newton. The Renesans one is metal (which I love), with two fold-out wings (which is a must for me), but it’s huge — it fits nearly 40 half-pans, so it’s really just for home use. The Winsor & Newton one is plastic, holds 12 pans, has room for a waterbrush, and is about half the size of the Renesans one. It’s great for short walks when I’m carrying just a few things. But for trips like “half a day in Warszawa,” I’ve been dreaming of something even smaller — every bit of backpack space counts in those situations.

    I found an empty mini palette from the Kraków-based brand Roman Szmal, from their new series. I haven’t tested it yet — didn’t paint anything during that walk — but on paper it’s perfect. It’s metal. It’s tiny — about half the size of the Winsor & Newton one. Has two fold-out wings. There’s a finger ring on the bottom. Holds 12 half-pans on a clip-in tray (best solution), which you can take out to wash the rest of the palette without getting the paints wet. The store only had one color option, but I liked it anyway.

    The second place I visited in Koneser was the Muzeum Sztuki Fantastycznej (Museum of Fantasy Art), which had an awesome painting and sculpture exhibit (more about that in a separate post).

    I also accidentally stumbled across the longest building in Warsaw — which I later learned from Wikipedia is called the “Jamnik” (Dachshund), “Deska” (Plank), or “Mrówkowiec” (Ant Farm). Compared to Gdańsk’s famous “falowiec” on Obrońców Wybrzeża Street, this one is shorter (860 vs. 508 meters) and architecturally less interesting, but it was still cool to see. I’d love to spend more time there someday and chat with the residents, like I’ve done many times with people living in the falowiec blocks.

    Podczas takiego tak długich spacerów robię od 400 do 800 zdjęć, z czego ostatecznie używam małą część. Bateria mojego smartfona, Samsunga S21 Ultra, pada wtedy mega szybko, szczególnie jak jest słonecznie i ekran cały świeci pełną mocą. Nie tylko rozładowałem sam Smartfon, ale też powerbank 20000 mAh, więc musiałem gdzieś nakarmić smartfon i siebie. Początkowo próbowałem coś znaleźć w Google Maps, ale jakoś mi nie szło, więc wsiadłem w tramwaj i pojechałem na Stare Miasto, do multitapu Same Krafty, który już znałem. Niestety, nie było w pracy barmana, z którym wtedy tak dużo rozmawiałem. Powtórzyłem pizzę z kozim serem, oscypkiem i żurawiną, wypiłem piwa wędzone i pograłem trochę w “The Urbz: Sims in the City”, gdzie od jednego z bohaterów otrzymałem… deskolotkę z “Powrotu do Przyszłości”. Poza tym odkryłem, że jak masz gościa i usiądziesz na kibelku, gość stoi obok ciebie i się patrzy. Kocham tę grę!

    During these kinds of long walks I usually take 400–800 photos, of which I end up using only a small portion. The battery on my Samsung S21 Ultra dies super fast in sunlight with the screen at full brightness. I ended up draining not just the phone but also a 20,000 mAh power bank. So I had to go feed both my phone and myself. At first I tried to find some new place via Google Maps, but that wasn’t working out, so I jumped on a tram and headed to the Old Town, to the Same Krafty multitap I already knew. Sadly, the bartender I chatted with last time wasn’t working. I repeated my goat cheese + oscypek (Polish smoked cheese) + cranberry pizza, had some smoked beer, and played a bit more of The Urbz: Sims in the City, where one of the characters gave me… the hoverboard from Back to the Future. Also, I discovered that if you have a guest over and sit on the toilet, they just stand next to you and stare. I love this game!

    On the way back to Warszawa Centralna Station, dark clouds started gathering in the sky. That chaotic wind started picking up — the kind that always comes just before a storm. It drizzled for a bit, and then came the downpour, with a few rumbles of thunder. I was fully prepped. Had rain gear in my backpack for both myself and the bag.

    While waiting for the train back to Łódź, I finally had a moment to read about the Switch game I bought at CeX — Archetype Arcadia. I bought it almost blind, only knowing that it’s one of my favorite combos: Japanese visual novel. The box says, after translation: “Sink into a dark visual novel full of mystery. Uncover the truth behind a deadly disease that has wiped out most of humanity where a virtual world is the only escape.”